Arati Changes in ISKCON
January 29, 2014 in Srivas Thakur Dasa, Yasoda nandana Dasa by Yasoda nandana dasa
FROM ARATIS TO BOLLYWOOD TUNES!
Arati Changes in ISKCON
Arati Changes in ISKCON
BY: SRIVAS THAKUR DASA
Sampradaya Sun
Jun 01, INDIA (SUN) — It was interesting to read Locanananda prabhu’s article, “Kirtana Guidelines“, about the changes in kirtan in ISKCON. Often times when we go to visit ISKCON temples in India, I am just amazed how devotees sing the Hare Krishna Maha Mantra in all different Bollywood Hindi tunes – so much so that instead of remembering Krishna, we are remembering the Hindi songs of yesteryear before we came to Krishna consciousness.
Jun 01, INDIA (SUN) — It was interesting to read Locanananda prabhu’s article, “Kirtana Guidelines“, about the changes in kirtan in ISKCON. Often times when we go to visit ISKCON temples in India, I am just amazed how devotees sing the Hare Krishna Maha Mantra in all different Bollywood Hindi tunes – so much so that instead of remembering Krishna, we are remembering the Hindi songs of yesteryear before we came to Krishna consciousness.
Apart from kirtan tunes, book changes and a whole lot of other changes since 1977, let’s now add a new change—that is in the way arati is performed in ISKCON temples. At present, pujaris seek the permission of their gurus on the altar and then go to offer it to Radha Krishna, Gaur Nitai, then to the Guru parampara, and then to Srila Prabhupada and their respective guru.
This was not the system taught by Srila Prabhupada, and represents a whole concoction made cleverly after 1977.
Srila Prabhupada taught us how to offer aratis. We are to offer aratis first to Srila Prabhupada and then all the way up to Gaur Nitai and Radha Krishna. Srila Prabhupada emphatically warned us not to make changes after his physical disappearance, but we have boldly made all the changes disregarding His Divine Grace, and are on the threshold to make more changes.
Here are citations from Srila Prabhupada’s letters and lectures, showing what he taught: Read the rest of this entry →